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The Writing Life


SUMMER 2005: Called to Write?

I’m inspired. Today birds possessed the trees in my favorite woods and I rescued an ailing duck lying on its beak in the muddy edge of the pond. Summer is upon us and when the early morning fog trips in on its well-worn little cat feet, I like to rise early and stand very still on bare feet listening to the grass – and think about workshop.

I have been teaching workshops on writing the memoir the past couple of years, and I love entering into the lives of the students I work with and listening to what we know as the Call. It can be illuminating to hear opinions of writers on their identity as writers, especially in summer when we’re all sitting around in shorts and sunscreen slurping from bottled water containers wanting to be brilliant.

The poet Mark Jarman delivered an address at the Glen Workshop in Santa Fe, New Mexico a few years back I thought you might like. Here's an excerpt from that address where he spoke to fellow writers and artists on the Voice of a Calling:

"I made up my first poem at the age of twelve. A dreary ballad that I wrote for my seventh grade English class. It thoroughly absorbed me for days as its composition unfolded. I remember even now the physical feeling of the rhythm as it took hold, and the welling up within my chest at what I thought was its sad beauty.

The voice that calls us to make art is not the voice that called [the prophet] Samuel to Eli's bedside or the voice that inspired Mother Teresa to look after the dying on the streets of Calcutta or the voice that Dietrich Bonhoeffer heard urging him to plan an end to Hitler...Rather, the voice we have heard simply confirms our gift. If anything the voice of our calling urges us to take our God-given talent seriously.

Art as vocation has everything to do with how we live our lives. Our souls are connected to the world as surely as they are connected to God. In "Song of Myself" Whitman was called out of himself and forsook his own identity for ours.

I believe we do our work as artists in the presence of God. I also believe there are no shortcuts up Mount Parnassus or the Mount of Purgatory. The mystery I do embrace in my calling is the practice of my craft. Its demands, while they can be frustrating, are endlessly fascinating, its modes are as various as language itself, and its most practical function is magical. I know I’ll never master the craft of poetry entirely, and that is the reason paradoxically I am devoting my life to, in the words of the poet Charles Wright, "this business I waste my heart on."

Called or not called, summoned or not summoned, bidden or not bidden, God is present and will be present. All of us [artists] here have heard, or in some way experienced, a call. It may have been a voice in the night or a dawning awareness, a lifelong natural inclination or an epiphany impelling us to change how we live altogether. How we respond to that call is manifested in our lives as artists. I like to think that what we do and what we make are ways of saying to God, "Here I am. I am present, too."


I’m going to be "present." Summer will be gone in a minute and the fog will turn to doggy rain, the workshops on fresh mown grass to hard desks under steely lamps. Two memoirs of two great lives of friends of mine came to a close this summer in death. And the poor duck I rescued didn’t make it in spite of my nursing and prayers and we just buried her on my hill—

But we -- you and I are present.

If you’d like to read Mark Jarman’s entire address, visit www.imagejournal.org, Number 36, Fall 2002.


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